Antoine LECHARNY

Sous terre

 

“Beneath the earth, beneath the trees, beneath the pavement of the sidewalks lie the ruins of synagogues and pits filled with bones. What is visible on the surface replaces what can no longer be seen. A city restored to its banality. The grass is no longer scorched and the bullets have disappeared. Here, everything distances me from the depth of these places. Of the thousands of Jewish children, women, and men driven by force to the hills surrounding the city to be shot and piled onto the naked bodies of those who came before them, almost no trace remains. No monument, no repentance. Only an engraved stone standing amidst the brambles, hidden from view, escapes erasure.”

Between 2021 and 2024, Antoine Lecharny undertook a photographic project devoted to the memory of the mass shootings of Jews in Eastern Europe and the Baltic states. In the absence of significant visible traces of these massacres, he photographed landscapes that have returned to a form of ordinary banality, revealing the palpable forgetting of History at work.

Côté fenêtre

This series, created during a residency for the festival Planches Contact, takes us with great sensitivness into moments captured during train trips between Paris and Deauville. The series is composed of both landscapes and portraits, sometimes in black and white, sometimes in color. The ambiguity between closed and open spaces, between unknown faces and familiar scenes, gives a singular rhythm to this wandering.

Antoine Lecharny was awarded with the Jury Prize of Tremplin Jeunes Talents of the festival Planches Contact in 2021.

Works

Biography

Antoine Lecharny, born in 1995, is a photographer, painter, and sculptor.

His work, exhibited and awarded in France and abroad (Jury Prize at the Planches Contact Festival, Audience Award at the Boutographies Festival, Paris Match Prize, among others), is held in several public and private collections, including that of Marin Karmitz. Winner of the Audi Talents Award alongside artist Henri Frachon, he presented the sculptural project Disegno Astratto at Palais de Tokyo in 2021, which later resulted in a publication by Tonini Editore. In 2023, SIT DOWN Gallery, which represents him, hosted his first solo photographic exhibition in Paris, entitled Côté fenêtre.

In 2025, he received the Gomma Grant B&W, recognizing his long-term work devoted to the memory of the mass shootings of Jews and Roma populations in Eastern Europe and the Baltic states during the Second World War. This project, entitled Sous terre, was published as a book in 2025 by Éditions d’une rive à l’autre. The same year, Antoine Lecharny was a finalist for the Le BAL / ADAGP Prize with his project Feu Stalinstadt, and was among the three artists supported by Sarah Moon as part of the Grand Prix de l’Académie des beaux-arts.

While in residence at Villa Pérochon, a contemporary photographic art center in Niort, he created Bassine, outardes, grenades in 2026, a series dedicated to the memory of the Sainte-Soline mega-basins, the activist movements that opposed them, and the repression they faced. Over the years, this project has become part of a broader experimental and visual investigation into the traces of violence and ideological conflict embedded in landscapes and in people’s minds.