With Memoryscapes, Marilia Destot develops a singular body of work in which memory, materiality, and landscape converge. Drawn from personal photographic archives accumulated throughout her travels, this series is distinguished by a radical process of transformation: the prints are torn, fragmented, and then painstakingly reassembled by hand. This gesture of destruction and reconstruction lies at the very heart of her visual language. The tears, layered surfaces, and visible scars are not merely formal effects, but become vehicles for a profound reflection on time, memory, and the perception of place.
By moving away from photography’s traditional documentary function, Marilia Destot transforms her images into true objects, situated at the intersection of photography and collage. Her compositions give rise to mental landscapes — unstable, poetic spaces in which different temporal layers coexist. The image is no longer a fixed trace of reality, but a space for projection, constantly being reconfigured.













