Aurore BAGARRY

This series of seventy six prints composes a photographic inventory of the glaciers of the Mont Blanc massif in France conducted from 2012 to 2017 by Aurore Bagarry.
This young photographer, a graduate of the Gobelins and the Arles School of Photography, has carried out a descriptive and poetic project to survey the intricacies and singularities of Alpine glaciers.
These images, infused with a documentary style, reflect by its aesthetic concerns, a rereading of the photographs of explorations of the nineteenth century.
It is an act that reveals the beauty and fragility of these places and sounds the alarm on the disappearance that threatens them.

Roches, Aurore Bagarry’s new photographic project, revolves around research on water as an imprint on the landscape and on the notion of a natural border. Her field of investigation goes from the French northern shores to those of the south of England which face each other. The artist continues his approach of photographic atlas started with the series Glaciers and offers us a personal reading of the landscapes of La Manche through an inventory of the forms resulting from the slow erosion of the coastline.

Roches received the support of the Drac Bretagne (Aide Individuelle à la Création) in 2017 and that of the art center GwinZegal, Guingamp in 2019.

Exhibitions

2022

Language of landscape (group show)

Art Paris (Grand Palais Ephémère)

04.07.2022 – 04.10.2022

2021

Roches

SIT DOWN gallery

06.03.2021 – 06.06.2021

2018

Glaciers

Paris Photo FAIR

08.11.2018 – 11.11.2018

Glaciers

Salon Photo Doc. Espace des Blancs Manteaux, Paris

04.05.2018 – 06.05.2018

2017

Glaciers

SIT DOWN gallery

24.10.2017 – 02.12.2017

2015

Glaciers

SIT DOWN gallery

28.05.2015 – 24.06.2015

Biography

French photographer and video artist, born in 1982 in Le Mans, France, Aurore Bagarry graduated in 2004 from the Gobelins School, Paris, and in 2008 from the National School of Photography in Arles with commendations
Her work revolves around research on water as a form and as an imprint on a landscape and on the notion of natural borders. How photography, by its transparent nature, can make the variations in water sensitive, suggest its complexity? By the logic of photographic atlas and the practice of walking, she offers a personal reading of the landscape with an inventory of the forms of water, sometimes fragile although monumental (Glaçiers 2012-2018) or the imperceptible fruit of a slow erosion (Roches 2016-2020).

Winner in 2020 of the Regards sur le Grand Paris #4 commissioned by the CNAP and the Ateliers Médicis, Aurore Bagarry discovers the ancient oceans and reveals the forms of water that have shaped the Parisian basin through waves of sedimentation, to the point of structuring our forms of life and our gaze through the ages.

2017
Le Temps, January 28th
Radio Télévision Suisse, interview, February 1st

 

2016
L’intervalle, interview, November 11th

 

2015
L’Alpe n°71, December
Géants, le spectacle de la montagne, interview, September
Libération, August 20th and November 17th, interview
Le Figaro, June 30th
Radio Canada, June 
Le Parisien, interview, May 25th
Télérama, May 27th

 

2014
CHEAP #07, July 
Cacao Europa, February, Les Sphinx de Louqsor, Portfolio

 

2013
Greenlinkers: Interview, November.
Le Monde des Livres, thursday 14th February

 

2012
Ouvert la Nuit, France Inter, cultural agenda of Alexandre Héraud, interview
Wad magazine, Breaking News
Ouest-France, Image Publique
Photographie.com, Image Publique, Paysage et Territoire, Journal Japonais

 

2008
Libération, July 24th, cahier d’été, portfolio
Photos Nouvelles, July-August, portfolio

 

2006
Inframince n°2, workshop with Dominique Auerbecher

Press

2017
Le Temps, January 28th
Radio Télévision Suisse, interview, February 1st

 

2016
L’intervalle, interview, November 11th

 

2015
L’Alpe n°71, December
Géants, le spectacle de la montagne, interview, September
Libération, August 20th and November 17th, interview
Le Figaro, June 30th
Radio Canada, June 
Le Parisien, interview, May 25th
Télérama, May 27th

 

2014
CHEAP #07, July 
Cacao Europa, February, Les Sphinx de Louqsor, Portfolio

 

2013
Greenlinkers: Interview, November.
Le Monde des Livres, thursday 14th February

 

2012
Ouvert la Nuit, France Inter, cultural agenda of Alexandre Héraud, interview
Wad magazine, Breaking News
Ouest-France, Image Publique
Photographie.com, Image Publique, Paysage et Territoire, Journal Japonais

 

2008
Libération, July 24th, cahier d’été, portfolio
Photos Nouvelles, July-August, portfolio

 

2006

Inframince n°2, workshop with Dominique Auerbecher

 

 

Museum TV, 13.12.2018    Tout Ce Que Vous Avez Raté #102 – PARIS PHOTO 2018

France Culture, 23.10.2017   Les Glaciers d’Aurore Bagarry

Côté est 21 décembre 2018 N°83  par Agnès Benoît

Paris Match éditionsuisse 2017 par Pamela Chuppi

L’Intervalle 11 novembre 2016 par Fabien Ribery 

Le Figaro 30 juin 2015 par Annie Barbaccia

LeParisien 25 mai 2015 Fonte des glaciers : Aurore Bagarry nous parle de ses photos par Emilie Laystary

TK 21, La revue N°46 – 24 mai 2015 Glaciers par Luce Lebart

Libération 20 août 2015 Carnet de glaces par Dominique Poiret

France Fine Art  28 mai 2015 Aurore Bagarry” Glaciers par Anne-Frédérique Fer

 

REVUE DE PRESSE “ROCHES”

Coté Ouest juin-juillet 2021 N°  153 p.26 Roches animées par Agnès Benoit

Article mai 2021 Les images d’Aurore Bagarry  part 1 par Léon Mychkine

Article mai 2021 Les images d’Aurore Bagarry  part 2 par Léon Mychkine

Lacritique.org avril 2021 Roches, exposition d’Aurore Bagarry par Pauline Lisowski

LesEchos Week-end 5 mars 2021 Poésie sous roche par Ludovic Bischoff et Alice d’Orgeval

FranceFineArt mars 2021 “Roches, Littoral de la Manche” photographies d’Aurore Bagarry par Anne-Frédérique Fer

Télérama Sortir 24 mars 2021 N° 3715 p. 9 La mémoire et la pierre par Frédérique Chapuis

Paris Diary by Laure 11 mars 2021 Aurore Bagarry, an explorer with an eye par Laure de Gramont

L’Intervalle Blog de Fabien Ribery 24 décembre 2020 Le langage des roches, par Aurore Bagarry, photographe par Fabien Ribery

Libération 17 juillet 2019 Affinités sédimentaires par Dominique Poiret